On Billy Apple’s Art for Sale
Christina Barton reflects on a turning point in the artist’s practice and a milestone in the emergence of a properly contemporary art scene in Aotearoa New Zealand.
Christina Barton reflects on a turning point in the artist’s practice and a milestone in the emergence of a properly contemporary art scene in Aotearoa New Zealand.
The exhibition restages Apple’s Rainbows at New York’s Bianchini Gallery, credited as one of the first shows to treat electric light as a sculptural medium.
Wystan Curnow, Anthony Byrt, Natasha Conland, and Christina Barton pay tribute.
A republished interview between Billy Apple and Hans Ulrich Obrist.