Gregor Kregar’s magical process of transformation
Visiting Gregor Kregar’s studio, Dan Chappell talks to the artist about his latest public sculpture commissions and his interest in visual perception, utopian architecture, geometry and kitsch.
Visiting Gregor Kregar’s studio, Dan Chappell talks to the artist about his latest public sculpture commissions and his interest in visual perception, utopian architecture, geometry and kitsch.
Whakapapa or genealogy has always been at the heart of Reuben Paterson’s practice, which dances with various influences—from the optical paintings of Victor Vasarely and Bridget Riley to memories of the patterns on his grandmother’s dresses.
Sam Harrison’s recent works bring together his interest in representing the naked and vulnerable human figure, and the more visceral forms of animal carcasses.
Light artist Peter Roche generates his own energy in his recent performances. Dan Chappell visits the artist and eyes up his latest work.
Roger Mortimer’s meticulous paintings are an otherwordly mix of luminescent colours, medieval manuscript imagery and gritty, contemporary texts.
Talkback radio, comic-strip characters and paintings by Old Masters collide and ricochet off one another in Mark Braunias’ boisterous, mix ‘n’ match works.
Dan Chappell talks to Ann Robinson about her vessels and sculptures, which capture the rhythmic patterns of nature and the extraordinary luminosity and transparency of glass.
After two years’ effort, sculptor Paul Dibble and his team see the dedication of their New Zealand War Memorial project in London.