Author: Virginia Were

Luminous moments

In Yang Fudong’s survey exhibition Auckland audiences are being seduced by immersive film and video installations, which reflect the filmmaking traditions of East and West—as well as the aesthetics of Chinese painting.

Pacific Sphinx

Coming to terms with impermanence

Bronwynne Cornish’s upcoming survey exhibition combines her groundbreaking ceramic installations with smaller figurative sculptures that navigate between the sacred and the divine.

Hill-still-life-with-vanity

Intense vibrations of colour

Georgie Hill’s luminous paintings invite us to step across the threshold between public and private, entering enigmatic interiors that suggest shifting time and spatial boundaries.

Untitled, 2009, neon

Fun, fakery and deceit

Though Erica van Zon’s tributes to pop culture look distinctly satirical, they are in fact made with great love, tenderness and sincerity. Virginia Were reports.

Roberta Thornley's photograph Couple, 2009

In search of efflorescence

Whether turning her lens on the forgotten objects of the everyday world, or young people emerging from their teens into adulthood, Roberta Thornley makes potent images that seem to glow with life and make you look twice.

Kushana Bush, Hungry Ghost with Dragonfly Jar

Consuming gestures

Taking on the role of ‘artist as anthropologist’, Kushana Bush makes paintings that are erotic, amusing, disturbing and beautiful, but ultimately their content remains absolutely mysterious. Virginia Were reports.

Catalogues of excorcism

Auckland photographer Fiona Pardington talks to Virginia Were about her photographs of life casts made on Dumont d’Urville’s South Seas voyage.

Ever so nice but not so benign

Beneath the lusciously decorative exteriors of Richard Stratton’s ceramics lie graphic stories about some of the most disturbing issues of our times. Virginia Were talks to the artist.

Utopia or nightmare?

For some people suburban shopping malls and newly minted suburbs are objects of desire, but Ruth Cleland’s paintings present them in a more ambiguous light. Virginia Were reports.

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