On Jacinda Ardern’s kākahu at Buckingham Palace
Eleanor Woodhouse on the rare convergence of national pride and fashion in Adern’s 2018 kahu huruhuru moment.
Eleanor Woodhouse on the rare convergence of national pride and fashion in Adern’s 2018 kahu huruhuru moment.
Becky Hemus on the not-so-quiet cacophony of daily pressures in Fiona Connor’s 2014 installation at Hopkinson Mossman.
Hera Lindsay Bird on The Tribe, a singular artefact of dial-up era-adolescence in early-2000s Aotearoa.
Samuel Te Kani on soap opera and conspiracy theory, and Aotearoa’s most enduring TV show.
Rosanna Raymond recalls the Interdigitate Festival of 1995 and the early currents of acti.VĀ.ted artistic practices in Aotearoa.
Victoria Wynne-Jones remembers Lacey’s tentative early-morning performance in 2011.
Jane Wallace revisits the New Zealand Gothic, fifteen years since Robert Leonard first proposed the concept.
Matariki Williams looks back to the landmark exhibition and what it has meant for contemporary museum practice.
Anto Yeldezian discusses with Faisal Al-Asaad the ways in which his paintings, per Walter Benjamin, contest the West’s hold on the popular imagination and render history ‘plastic.’
Tendai Mutambu revisits New Zealand Opera’s The Unruly Tourists and the 2019 media storm that inspired it.