Eden Hore, fashion impressario
Jane Malthus reports on high-country farmer Eden Hore whose collection of 1970s designer fashion became a tourist attraction in Central Otago.
Jane Malthus reports on high-country farmer Eden Hore whose collection of 1970s designer fashion became a tourist attraction in Central Otago.
Zoe Black talks to Lisa Reihana about her new commissions for the Aotearoa Festival of the Arts and the opening of Sydney Modern at the Art Gallery of New South Wales.
Chelsea Nichols gushes with enthusiasm.
Bronwyn Holloway-Smith on Sam Neill’s film Phone—a.k.a. Telephone Etiquette.
Each detail counts, and conveys Paul’s intense gaze at a subject rather than an overall scene.
Lisa Beauchamp explores the fusion of politics and poetics in the work of this activist photographer.
Connie Brown broaches the troubles of taxonomy.
Linda Tyler reviews a new book on architect James Hackshaw’s collaborations with artists Colin McCahon and Paul Dibble for the Catholic Church.
Directed by Lula Cucchiara, the movie shows how Clark not only overcame homophobia and sexism, but also physical injury, to become one our most daring visual-activist photographers.
The Truth Is Out There at The Dowse Art Museum will feature UFOs, alien abductions and other unexplained phenomena.