Dunedin artist Simon Richardson announced as a finalist in the Archibald Prize

Richardson's painting of renowned Aotearoa photographer Fiona Pardington is short-listed for the award, which will be announced 7 June.

Dunedin-based artist Simon Richardson has today been announced as a finalist in Australasia’s prestigious portraiture awards, the Archibald Prize, with a painting of renowned New Zealand photographer Fiona Pardington.

Known as perhaps the most prestigious portrait prize in Australia, the annual Archibald Prize was first awarded in 1921. It is administered by the trustees of the Art Gallery of New South Wales and valued at $100,000 (AU).

Richardson is one of just 10 New Zealand artists to be short-listed for the Archibald Awards in its more than 100-year history, while only one Kiwi has ever won an associated prize: Auckland-based Martin Ball, who took out the Packing Room Prize in 2008. Richardson was one of 57 finalists announced today from more than 1000 entries received.

The egg tempera painting features Fiona Pardington (Ngāi Tahu, Ngāti Māmoe and Ngāti Kahungunu) MNZM, Chevalier Ordre des Arts et des Lettres, reclining on a couch with her dog Minerva. Richardson has also painted Huia on the painting frame, referencing the celebrated artist’s still life photos of the now extinct native New Zealand bird.

“I am extremely honoured to be a finalist for this year’s Archibald Prize,” Richardson says.

“Painting Fiona was a huge privilege in itself, and it is incredible for it to be short-listed for such a coveted prize.

For the last few years, I’ve been working on portraits of artists living in the South Island. I got in touch with Fiona through a mutual friend and seeing her reclining on her couch with her dog Minerva, I knew that was how I should paint her, surrounded by all her interesting and beloved things.”

Since graduating with a BFA from the Otago Polytechnic School of Art in 1996, Richardson has painted full time. He lives and works in Broad Bay, Dunedin with his wife Gepke and children Mila and Eben. In 2016 his portrait of his daughter was selected for the BP Portrait Award at the National Gallery, London. He has also previously won the Canadian Elizabeth Greenshields Foundation Grant three times, which enabled him to visit European museums, helping to inform his approach to portraiture.

Pardington says as an “extremely private person”, she felt both “excited and overwhelmed” to sit for the portrait.

“Simon’s portrait is therefore unique. My house is my citadel. This is me, with my darling Minerva. I’m honoured and hope everyone can see Simon’s intuitive rapport with his subjects – right now it’s Minerva and her doting owner.

Simon’s technical excellence and ease, his exquisite sensitivity as he carefully considers and therefore honours each person he paints, this is how he expresses his strength as a master painter. He’s one of us, not above us, but on a life journey with us. He’s the consummate portrait painter.

Minerva and I did our very best to meet him half way in this very private portrait, at our off-the-grid home up in the Hunter Hills just north of Waimate, Te Waipounamu.”

The winner of the Archibald Prize will be announced on Friday 7 June. 

The artist was selected by Christchurch Art Gallery Te Puna o Waiwhetū, the Creative New Zealand delivery partner for Aotearoa's pavilion at the event.
New Zealand galleries are collaborating with Christie’s to tap new markets. John McCormack reports.
Fiona Pardington describes photographs as ambiguous, powerful, dangerous and confusing—and that is what she loves about them. She tells Virginia Were about her recent still life series.
Auckland photographer Fiona Pardington talks to Virginia Were about her photographs of life casts made on Dumont d’Urville’s South Seas voyage.

Recent News

Join the artists in conversation with Kairauhī Curator Robbie Hancock on Wednesday 30 July at 6pm.
This July, Arts Makers Aotearoa (AMA) will be launching a new service, the Artist Advice Bureau. Here, we speak to Art Aunty Claudia Jowitt, who will be hosting drop-in (or Zoom-in) sessions at Samoa House Library on Karangahape Road, offering independent advice and advocacy for artists trying to navigate the industry.
The artwork, by Graham Tipene and Amy Hawke, is on view 17 June through 13 July at Viaduct Harbour.
The sculpture was designed and constructed by emerging architects George Culling, Oliver Prisk, Henry Mabin and André Vachias.
Recipients Quishile Charan, Harry Freeth and p.Walters will exhibiting at Tautai later this year.
The new exhibition offers a fresh take on how stories about Ngā Pakanga o Aotearoa the New Zealand Wars have been told on film.

Related

The major public art experience transforms Tāmaki Makaurau's waterfront, 16 April – 16 May 2025.
Prizewinners will be announced on Wednesday 21 May.
The award, now in its 39th year, seeks to highlight and celebrate excellence in contemporary art practice throughout Aotearoa.
The Crucible Artist Residency pilot programme moves into its second phase, with two new artists, John Ward Knox and Motoko Kikkawa, commencing 16-week residencies from 10 February.
The artist was selected by Christchurch Art Gallery Te Puna o Waiwhetū, the Creative New Zealand delivery partner for Aotearoa's pavilion at the event.
The first exhibitions will be by painters Georgie Hill and Jake Walker.
The bridge, designed by architects John Gray and the late Rewi Thompson with artist Paratene Matchitt, will face demolition due to the untenable expense of earthquake strengthening.
Leighs Construction will carry out the work, with the total cost of the redevelopment now at $247 million. The building is set to re-open in late 2028.