Exhibition listing

underfoot

09 March – 12 May 2024
<em<underfoot. Installation view, Te Uru Waitākere Contemporary Gallery, Tāmaki Makaurau, March 2024

underfoot brings together works by artists from Aotearoa and Australia for which earth matter has been used in a range of poetic ways. Connecting practices from the region at a time of increasingly desperate ecological crises, the exhibition embraces diverse cultural perspectives to open a reciprocal dialogue with the subterranean make-up of our home planet. The title ‘underfoot’ situates the human body within the physical and temporal vastness of the landscape. Central to this is knowledge held in Te Ao Maori of whenua, which refers to both ecology and placenta. Embodied by tangata whenua and mana whenua, we find here a deep, inextricable connection between people and place.

This fundamental, existential relation between the land and human life carries throughout the exhibition via painting, sculpture, installation, photography, and video. Through formal and conceptual approaches artists figure earth as an essential, animated and temporal conduit. Materials derived from the land including ochre, pigment, stoneware, sand, metal and rock are used to map a multiplicity of worldviews addressing creation, geography, lifecycles, history, and rites of passage. Aptly, exhibited works hold regional specificity, each coded with geocultural significance, from ochre gathered at Warmun in Western Australia to onepfi (black manganite sand) collected at Karangahape (Cornwallis) in Tamaki Makaurau (Auckland). Inherent to these primal mediums, and their convergence in this exhibition, are important socio-political questions ­where they originate, how they’re used and perceived, and how our relationship to them is evolving.

Hana Pera Aoake reviews the exhibition, which ran at Season, 31 October – 23 November 2024.
Iti's A resilient heart like the mānawa was selected as the winning work by guest judge Professor Bonaventure Soh Bejeng Ndikung on 27 September 2024.
The site specific sculpture unfolds across the MCA and is the Loti Smorgon Sculpture Terrace Commission for 2024.
Raukura Turei is an artist and architect based in Tāmaki Makaurau Auckland. Her practice centres whenua and the countless relationships that are embedded within it. We spoke with her ahead of her presentation at the Melbourne Art Fair.
Sculpture on the Gulf returns for its twentieth edition from 24 February–24 March 2024.
Christina Barton reviews the exhibition at Palais de Tokyo, 15 April–4 September 2022.
Kate Newby's YES TOMORROW is infused with context and rich in collaboration, finds Lachlan Taylor.

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