Selected exhibitions by Fraser include The Making of Maria (2026), Damien and the Love Guru, Brussels; The Making of the Shining (2023), Tara Downs Gallery, New York; The Making of Reflections in a Golden Eye (2022), Tara Downs Gallery, New York; The Making of Black Panther (2021), Kunstverein in Hamburg; The Making of Bombshell (2021), Tara Downs Gallery, New York; The Making of Maria by Callas (2020), Kunsthalle Zürich; The Making of Dressed to Kill (2019), Bonny Poon, Paris; The Making of Carbon Copy (2018), Michael Lett; Plastic (2016), Michael Lett; and The Lost Boys (2001), The New Museum, New York.

Fraser’s ‘THE MAKING OF’ collages and installations are an ongoing series of works conceived as fictional fantasies of possible cult movie remakes. The Making of Cleo de Cinq a Sept 2026 is a fictional remake of Agnès Varda’s 1962 film of the same title. It is Jacqueline Fraser’s eighth solo presentation with the gallery.