Exhibition listing

In the Round: Portraits by Women Sculptors

23 February – 14 May 2023
In the Round: Portraits by Women Sculptors. Installation view, New Zealand Portrait Gallery Te Pūkenga Whakaata, February 2023

In the Round: Portraits by Women Sculptors showcases and celebrates the work of women sculptors in Aotearoa New Zealand. Despite the rich history of sculpture in this country, there have been noticeably fewer women who have pursued careers in the field, this is especially true for Māori women, who are underrepresented in collections, exhibitions and public sculpture.

This exhibition creates a lineage of sculptors, spanning the past century, and highlights the contributions of these artists to the field of figurative sculpture. They include Margaret Butler, Paerau Corneal, Allison Duff, Andrea du Chatenier, Molly Macalister, Francis Upritchard and Ann Verdcourt. Each of these artists offers a different way of thinking about sculpture and portraiture in Aotearoa. Sculpture in the round refers to three-dimensional freestanding work that can be viewed from all sides, and this is one of the aims of this exhibition—to see figurative sculpture by a number of artists, who each tell a different story about sculpture in Aotearoa.

In recent years, it has become glaringly evident that the statues and monuments in public spaces are largely of men, and are often created by men as well. This is a widespread issue that can be seen globally, including here. The protests that followed the death of George Floyd in the United States led to the removal of several Confederate monuments, and this movement was also felt here in Aotearoa, where the statue of John Hamilton was removed in Kirikiriroa Hamilton. Sculptures and monuments are not neutral.

Curated by Milly Mitchell-Anyon

Any Noise Annoys an Oyster will include more than 100 works and is the artist's first solo exhibition in Scandinavia.
Andrew Paul Wood reviews the exhibition at Christchurch Art Gallery Te Puna o Waiwhetū, 2 April–7 August 2022.
While she was in New Zealand for the launch of her first public sculpture, Loafers, expat New Zealand artist, Francis Upritchard, talked to Virginia Were about her Vienna Secession exhibition and life since the Venice Biennale.

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