Exhibition listing

Summer Editions

6 December 2023 – 10 February 2024
Summer Editions. Installation view, Gow Langsford, Tāmaki Makaurau, December 2023

Gow Langsford are delighted to present Summer Editions. This exhibition features editioned works by Gow Langsford artists, including John Pule, Max Gimblett, Reuben Paterson, Brett Graham, Dick Frizzell, Gregor Kregar, along with classic prints by Patrick Hanly and Don Binney.

John Pule is one of the world’s leading figures in contemporary Pacific art. Pule’s prints feature extensively in this show, including several made in collaboration with distinguished writer and curator Gregory O’Brien. In May 2011, Pule and O’Brien were both part of a group of nine artists that travelled to the Kermadec Islands. This trip was an initiative of the Pew Charitable Trust, and resulted in the exhibition Kermadec, which toured 15 venues around New Zealand. Over the course of the trip and subsequent exhibition, the pair forged a creative partnership. This resulted in several series of collaborative prints. The most recent offerings by Pule and O’Brien are included in this exhibition.

Max Gimblett’s Revery is an excellent example of the printmaking practice that he has maintained in parallel with his storied painting career. Revery is a minimal but striking image, featuring the distinctive gestural abstraction that has defined Gimblett’s work for decades.

Reuben Paterson has developed a reputation as one of Aotearoa’s leading contemporary artists. His exquisite glitter paintings have captured eyes and imaginations throughout New Zealand and abroad. His stunning screenprint Toka-Parore is included in Summer Prints. This work features one of Paterson’s distinctive Māori motifs rendered in printing ink and glitter. An edition of his 2005 work Naturist is also exhibited.

Gregor Kregar’s sculptural gnomes have become widely known and enjoyed by art lovers everywhere. The pair here and brand new from the studio, and each is from an edition of five. Two of Dick Frizzell’s works appear, Sylvan Road from 2006 and Tears from 2016. Frizell is one of New Zealand’s best-known artists and his distinctive images have become iconic. Brett Graham’s Spirit of Aloha is from an edition of 25. The work features striking geometry in a muted palette.

The late greats Don Binney and Pat Hanly are two of New Zealand’s most celebrated artists of the Twentieth Century. Binney’sMill Creek, Rakiura from 2011 and Kotuku, Puketotara from 2005 demonstrate the image-making nous and distinctive subject matter that his work is cherished for. Hanly’s Love Scene B from 1968 showcases his expressive flair with the human figure.

Editions are an excellent way to acquire artworks by leading artists at accessible price points, and they make excellent gifts. All of these high-quality works are by well-known New Zealand artists with proven track records.

Venus Over Manhattan to open the first US-based solo exhibition of artist John Pule, presenting a unique opportunity for American audiences to experience his work.
Five Aotearoa ngā toi Māori artists feature in the International Exhibition curated by Adriano Pedrosa and titled Stranieri Ovunque - Foreigners Everywhere.
Sculpture on the Gulf returns for its twentieth edition from 24 February–24 March 2024.
For its 50th anniversary year, the Sydney Biennale embraces joyful futures, produced in common and shared widely.
While the 60th Venice Biennale braces for a controversial change of leadership, eight Aotearoa artists look ahead to their presentations in the Curator's International Exhibition.
We speak to curator Gregory O'Brien about the exhibition, which runs 25 August 2023–28 February 2024 at New Zealand Maritime Museum Hui Te Ananui a Tangaroa.
Brett Graham unveils Erratic (2023), a new public sculpture for Ōtautahi Christchurch.
Robert Leonard reviews the exhibition at Bartley and Company Art, 19 May–18 June 2022.
New Zealand galleries are collaborating with Christie’s to tap new markets. John McCormack reports.
Hanahiva Rose contextualises the histories, prophecies and revisitations in Graham’s work.
Visiting Gregor Kregar’s studio, Dan Chappell talks to the artist about his latest public sculpture commissions and his interest in visual perception, utopian architecture, geometry and kitsch.
Whakapapa or genealogy has always been at the heart of Reuben Paterson’s practice, which dances with various influences—from the optical paintings of Victor Vasarely and Bridget Riley to memories of the patterns on his grandmother’s dresses.

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18 – 28 June 2025
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14 June – 11 October 2025
Saturday 21 June, 10 – 4pm Monday 23 – Tuesday 24 June, 10 – 5pm
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19 June – 12 July 2025